Thamma (2025) Hindi (LiNE) HQ V3-HDTC 480p 720p 1080p
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Rahein Na Rahein Hum (Video) Thamma | Ayushmann K, Rashmika M | Sachin-Jigar, Soumyadeep S,Amitabh B
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Story / Description
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Film: Thamma (2025)
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Language: Hindi
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Genre: Supernatural horror-comedy with romance and mythological elements.
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Director: Aditya Sarpotdar
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Key cast: Ayushmann Khurrana (as Alok), Rashmika Mandanna (as Tadaka), Nawazuddin Siddiqui (as Yakshasan), Paresh Rawal.
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The film is part of the horror-comedy universe created by the production house (it builds on supernatural folklore within a larger “universe” of films).
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Runtime: ~149 minutes.
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Released: 21 October 2025.
Story Summary
Setup
Alok Goyal is a Delhi-based journalist who on assignment goes into a forest with colleagues. During the trek, Alok is attacked by a bear and is rescued by Tadaka — a mysterious woman from a hidden clan of supernatural beings known as “betaals”. These creatures have powers, live under strict rules, and maintain separation from human society.
Inciting Incident & Romance
Alok becomes fascinated by Tadaka and unaware of her full nature. Tadaka belongs to a lineage that refuses to prey on humans — a rule formed after atrocities committed by humans in the past. Despite the boundary, Tadaka develops a bond with Alok; he takes her to live in his world (in Delhi) despite her initial reluctance and the warnings of her clan.
Conflict & Transformation
As Alok and Tadaka’s world collide, danger arises. Yakshasan, the leader of their clan, sees the rule-breaking as opportunity. An accident causes Alok’s death (car crash) and Tadaka, in order to save him, bites him — thereby turning him into a betaal (a vampiric supernatural being) himself. That transformation triggers clan rules breaking, and Yakshasan reacts to this disruption of the order.
Alok must then navigate his new identity — now both human memories and supernatural powers clash within him. He discovers the world of the betaals, their rules, their past, and the threat that Yakshasan poses. Meanwhile Tadaka and Alok’s forbidden romance deepens, even as their worlds threaten to pull them apart.
Climax & Resolution
In the final act, Alok (now transformed) fights to protect humanity and to support Tadaka. He uses his new powers to challenge Yakshasan and his regime, while also fighting his own internal conflict: human-past vs supernatural-present. The climax merges action, supernatural spectacle and romantic stakes, culminating in the defeat (or containment) of Yakshasan’s plans, and a re-definition of Tadaka’s clan’s relationship with humans.
The ending leaves open threads—both for the characters’ future and for the broader supernatural universe (signalling possible cross-overs with other films). The romance between Alok and Tadaka stands, but the cost is visible: Alok is no longer purely human, Tadaka’s clan must reckon with change, and the age-old boundary between human and supernatural blurs.
Characters
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Alok Goyal (Ayushmann Khurrana): A journalist who starts off as somewhat self-interested, chasing stories, but his encounter with Tadaka and transformation into a betaal forces him to grow, change loyalties, and redefine his identity.
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Tadaka (Rashmika Mandanna): A strong, complex female lead. She belongs to the betaal clan, bound by rules, yet she chooses to defy them for love. Her journey is both external (fight against her clan’s rigid tradition) and internal (her feelings for Alok).
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Yakshasan (Nawazuddin Siddiqui): The clan leader, antagonist. He uses rules and power for his own ends. When the clan’s rule of not converting humans is broken, he sees an opportunity for dominance.
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Ram Bajaj Goyal (Paresh Rawal): Alok’s father, representing the human world and its reactions to the supernatural. His conflict is with understanding, acceptance and family loyalties.
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Additional characters appear from the supernatural clan, special cameos, and the broader universe.
Themes & Motifs
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Forbidden love: Between human and supernatural. The central romance between Alok and Tadaka echoes the “star-crossed” motif.
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Rules & rebellion: The betaal clan has long-standing rules (no human blood, no human relationships). Breaking those rules sets the story in motion.
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Identity & transformation: Alok’s transformation into a betaal symbolizes metaphoric transition—human to something other, the cost of change.
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Folklore & modernity: The film builds on the mythical idea of betaals (Indian folklore) and brings it into a modern setting (journalist, Delhi, media).
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Universe-building: As part of a larger cinematic universe, the film contains nods, cameos and connections to other films. It hints at bigger stakes beyond the single story.
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Visual spectacle: The forest scenes, transformation sequences and supernatural action are heavy on production design and VFX scope.
What Works & What Doesn’t
Pros:
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Unique take on vampire/undead mythology rooted in Indian folklore rather than western vampirism.
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Strong performances from the leads, especially in conveying romance + supernatural stakes.
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Big visual scale, entertaining action + mythic world-building.
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The second half gains momentum: romance and stakes tighten, more coherence.
Cons:
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Pacing issues: The first half drags as it sets up the world.
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Logic holes in the story: Some of the rules of the clan, the transformation, etc. are glossed over or inconsistent.
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Emotional depth may be less than expected: Although the romance is central, the broader themes are sometimes lightly handled.
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Villain under-utilised: Yakshasan’s motivations and screen time are sometimes weaker than they could have been.
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Some comedy/horror balance feels forced; horror impact is modest given the genre tag.
Final Verdict
Thamma is a visually engaging, entertaining supernatural romance that expands the universe it belongs to. If you enjoy mythic-supernatural stories with romance, stylised action and world-building, you’ll likely find it fun. However, if you look for tightly plotted logic, strong horror scares or deep emotional drama, you might find some parts lacking.
In short: Watch it for the spectacle, romance and myth-twist. Tempered expectations recommended for story depth and pacing.
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